Discovering The History Of Traditional Korean Roof Tiles

Uam Confucian School in Daejeon with traditional Korean roof tiles.

Uam Confucian School in Daejeon with traditional Korean roof tiles.

 An orchestra of cicadas greet us as we climb the stairs up to the subway exit at the National Museum of Korea.   We hurry into the Museum to escape the noise and intense heat. It’s our second visit, so room after room of old paintings doesn’t exactly excite us - but then we come across the Korean ceramic roof tiles.

Traditional Korean Roof Tiles At The National Museum

Korean traditional buildings have the most amazing roofs- from the bright beautiful paintings on the ceilings to the elegant tiles, sweeping eaves and ornate tile-ends. The tile ends are always adorned with an intricately detailed design such as an animal, flower or Chinese character. The roof tiles at the National Museum date back to the Three Kingdoms Period (57BC-668AD) and the Goryeo Dynasty (918-1392AD) and give a fascinating insight into the life and ideology at the time.

 
 

Symbolism in the ceramic tiles

The designs used on Korean roof tile ends have symbolic meanings - the white crane represents spirituality and longevity; peonies mean prosperity and happiness; creeping vines stand for longevity; and lotuses symbolize purity and spiritual enlightenment.  Talismans and Chinese characters were also used to bring good luck or to ward off evil spirits.In the Three Kingdoms Period Korean potters decorated tiles with flower and animal figures, including the animals of the Chinese zodiac. 

Geomancy, or Feng Shui was popular at the time so the yin yang symbol and the 5 elements of fire, water, wood, metal and earth were common decorations. Later, during the Goryeo Dynasty, Buddhism became Korea's state religion and ceramic arts flourished. Celadon was developed - a classic, semi-transparent green glaze which mimics the look of the prized gemstone jade. Celadon was also used on Korean roof tiles of the upper class. Even today Korea is famous for its Celadon ceramics.

During the Mongol invasions in the 13th century, kilns were destroyed and many of Korea's highly skilled potters were killed or captured. The ceramics industry was devastated and many closely guarded secrets and techniques were lost forever.

Korean Ceramics: Korean Culture Series 12 An interesting and easy to read book about Korean ceramics and history.Korean Ceramics (Korean Culture Series) (Kindle edition)

 
 

Post war Korean Roof Tiles

There are plenty of ceramic roof tiles you can see just walking around the suburbs in South Korea. The vast majority of post-war houses in Korea have decorative roof tiles, and most are tellingly of the Mugunghwa flower - the national flower of South Korea. The mugunghwa symbolises Korean culture and its resilience. If you cut a Mugunghwa bush down it eventually grows back, as strong and healthy as before. It's a fitting symbol for a country that has survived invasions, wars and occupations but has come back to thrive and is a proud show of “we are our own country.” This tile below was on our old house in Seoul. Our affection for Korean roofs is partly how we chose our name -see our FAQ.

 
mugunghwa-post-war-korean-roof-tile.jpg
 

The National Museum of Korea

Opening Hours: Mondays- closedTuesday, Thursday, Friday- 9am-6pmWednesday, Saturday- 9am-9pmSunday, public holidays- 9am-7pm

Admission is free for the Main Exhibition Hall and Children's Museum.The Special Exhibition Room entrance fee varies, but is usually around W10,000.[/tab]

Museum of Korea Location

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By subway- take Line 4 of the Jungang line to Ichon Station, Exit 2.By taxi- Some taxi drivers may know "the National Museum" in English, otherwise in Korean it's 국립 중앙 박물관 pronounced: guglibjung-angbagmulgwanAccessibility: There is elevator access at Ichon subway station and in the Museum.

Resources

  If you want to keep in touch with the Korean Rooftop community, join our  Google+ or Facebook page.Photos by Jarrod HallSave

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